doodlecanvas

WHAT IS UNDER A PAINTING

Canvas,
layer by layer.

A painting is not just paint. It is a small, layered structure.

A blank off-white canvas on a wooden easel in a sunlit studio, beside a table with brushes in jars and a palette of ochre, terracotta and teal paint
AI-generated image, not a photograph of a real person or place.

LINEN size · ground

0.1 cm Corner expansion that cracked a painting

A wooden frame, a woven cloth, a seal of size, a ground, and only then the picture. Each layer moves with the air around it. Here is how canvas works, where it came from, and what keeps it stable, in plain English.

Plain English, with the sources linked.

THE SHORT ANSWER

Cloth, sealed, on a frame.

Canvas is one of the most commonly used
supports for painting, and it is lighter than wood.

THE CLOTH

Hemp, flax or cotton

Strong, plain-woven cloth, usually hemp or flax. The best artists’ linen is spun from long flax fibres.

Where it came from

THE PREPARATION

Size, then ground

Paint never goes straight on. A coat of glue size seals the fibres, then a ground gives an even surface.

See the layers

THE CARE

Steady air

Canvas, size and paint all respond to humidity. Conservators suggest 40–60% relative humidity.

Why it matters

LAYER BY LAYER

What is under
the paint?

Pick a layer to see what it does. A traditional canvas painting is built from the back to the front, and each layer has its own job.

Canvas layers

Choose a layer, from back to front
Layer 1 · the frameStretcher

A wooden chassis holds the cloth. A strainer has fixed corners; a stretcher has expandable corners, tightened with small wooden wedges called keys.

Layer 2 · the clothFabric

Strong cloth, usually hemp or flax (linen); cotton became common only in the late 19th century. Most is a plain, over-and-under weave.

Layer 3 · the sealSize

Artists do not paint straight onto canvas. A coat of glue size protects the fibres, because oil paint becomes acidic within a short time.

Layer 4 · the surfaceGround

Over the size go one or more layers of plain or tinted ground, which give the paint an even, receptive surface to sit on.

Layer 5 · the picturePaint

Only now does the painting begin. Glue size, ground and paint are the stiffest layers, and in dry air they largely control how the whole canvas behaves.

Sources: Kress Program, University of Delaware; Getty Publications; Canadian Conservation Institute.

Modern ready-primed canvases follow the same idea, though the materials may differ from the traditional glue size and ground described here.

LOOK AFTER IT

Four habits
that keep it stable.

A hand brushing white ground across raw linen canvas, half of it already primed, with a bowl of primer on a wooden table
AI-generated image, not a photograph of a real person or place.
  1. Keep the air steady

    Hang or store paintings where conditions stay moderate. The Canadian Conservation Institute suggests 40–60% relative humidity and 18–24°C.

  2. Leave the keys alone

    Do not tap the keys of a finished painting to tighten it. If a key is loose, the institute says to secure it with finger pressure only.

  3. Seal before you paint

    If you prepare your own canvas, adjust the tension before sizing, and size it before painting, so oil paint does not sit directly on the fibres.

  4. Look at the edges

    Tacks or staples should be evenly spaced. Widely spaced or missing ones can let the canvas ripple when the air is dry.

WHAT CONSERVATORS MEASURED

Small moves,
big cracks.

A painting on canvas is sensitive
to tension and to the air around it.

0.1 cm

Corner expansion that cracked a painting

In an experiment reported by the Canadian Conservation Institute, opening the corners of a 76 × 102 cm painting by just 0.1 cm caused corner cracking when the humidity fell from 70% to 10%.

TENSION · CCI EXPERIMENT

40–60% RH

Suggested display and storage conditions

The institute suggests mid-range relative humidity of 40–60% and 18–24°C. Low humidity makes the size, ground and paint stiffer, and can cause distortions at the corners within days or weeks.

CLIMATE · CCI GUIDANCE

That is why conservators advise against tapping the keys of a finished painting to tighten it: a fraction of a millimetre at the corners can be enough to crack the layers when the air dries out.

CANVAS FACTS

Five things worth
knowing.

  1. The name means hemp

    The word canvas comes, through Anglo-French, from the Latin cannabis, meaning hemp. Merriam-Webster dates its first known use in English to the 13th century.

  2. The oldest are over 600 years old

    The earliest surviving painting canvases date from the late 14th century. The National Gallery’s earliest, a Madonna of Humility from about 1390, may have been a banner.

  3. Venice made it common

    Wood panels were the dominant support for Western easel paintings until the early 16th century. The common use of fabric supports can be traced to 16th-century Venice.

  4. Big pictures had seams

    Until the late 18th and early 19th century all cloth was woven on hand looms, so large canvases were stitched together from narrower pieces.

  5. Lighter than sailcloth

    Artists’ canvas is a single-warp cloth, much lighter than sail canvas. The best grades use flax fibres about 25 cm (10 inches) long.

The back corner of a stretched canvas: raw woven linen folded over a pale wooden frame, fixed with small tacks, with two wooden keys in the corner joint
AI-generated image, not a photograph of a real person or place.

QUICK QUESTIONS

Canvas, answered.

Short answers to the questions people ask most.

What is artists’ canvas made of?

Traditionally strong unbleached cloth, usually hemp or flax (linen), fixed over a wooden frame. Cotton is also used, but it was uncommon as a painting support until the late 19th century.

Is linen better than cotton canvas?

Linen comes from flax, a long bast fibre. Cotton fibres are much shorter than bast fibres, which makes cotton yarns weaker. Britannica notes the best artists’ canvas uses flax fibres about 25 cm long.

Why is canvas primed before painting?

Artists protect the cloth with a coat of glue size rather than painting straight onto it, because oil paint becomes acidic within a short time. One or more layers of ground then go over the size.

What is the difference between a stretcher and a strainer?

Both are wooden frames that hold the canvas. A strainer has fixed corners; a stretcher has expandable corners, which are opened slightly by tapping in small wooden wedges called keys.

Should I tap the keys to tighten a slack painting?

The Canadian Conservation Institute calls keying out a painted canvas highly inadvisable, because it can crack the paint and ground. Keys are for the artist before the painting is finished; for an old painting, ask a conservator.

Where the facts come from

Updated

  1. Glossary: CanvasThe National Gallery, London
  2. Historical materials and techniques: fabric supportsKress Program, University of Delaware
  3. Keying out of paintings (CCI Notes 10/9)Canadian Conservation Institute
  4. Conserving Canvas: Understanding structure, changing practiceGetty Publications
  5. CanvasEncyclopaedia Britannica
  6. Canvas: definition and etymologyMerriam-Webster

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